 | | Re: 20 Years of TLC's Frustration with "LEGOS" —Dave Schuler
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| | | (...) That's a good vision, but I'm concerned that it won't pan out that way. As long as someone--a loyal fan or not--is comfortable paying less or nothing for someone else's IP, there will always be considerable piracy. Even the alleged writer (...) (23 years ago, 26-Mar-01, to lugnet.off-topic.fun)
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| | | | | Re: 20 Years of TLC's Frustration with "LEGOS" —James Powell
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| | | | | (...) I would agree---except for what we do (FTE/ITW/EDA). All of those lists, tend towards tape trading _of non commerical material_ from the artist. It is seen as being done of love of the artist not out of spite. I mean, I own all the albums by (...) (23 years ago, 26-Mar-01, to lugnet.off-topic.fun)
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| | | | | | | Re: 20 Years of TLC's Frustration with "LEGOS" —Mike Petrucelli
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| | | | | | Most artists make the majority of thier money by touring. It is and will always be impossible to "pirate" a live concert experience. Most artists make next to nothing off of CD/album sales. -Mike Petrucelli (23 years ago, 26-Mar-01, to lugnet.off-topic.fun)
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| | | | | | | | Re: 20 Years of TLC's Frustration with "LEGOS" —Larry Pieniazek
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| | | | | | | (...) Yes and no. Cf. the Dead. They made space down front for people who were recording their shows and actively encouraged a very active marketplace in "bootleg" tapes. Which had significant value because every one of their shows were different, (...) (23 years ago, 26-Mar-01, to lugnet.off-topic.fun)
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| | | | | | | | Re: 20 Years of TLC's Frustration with "LEGOS" —James Powell
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| | | | | | | (...) I would agree...BUT my fav. concerts to listen to are the ones which I went to...the visions of Sarah singing in LA at Universal Studios, casting a shadow on the opposite wall...and the _music_ from that concert. (No, I am _not_ obsessed :) (...) (23 years ago, 26-Mar-01, to lugnet.off-topic.fun)
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| | | | | | | | Re: 20 Years of TLC's Frustration with "LEGOS" —Jennifer Clark
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| | | | | | (...) Unless you have a writing credit on an album and/or single, in which case you stand to make serious money if the song sells well, or someone else covers it and it sells well. I gather that simply playing on recorded music is not always a great (...) (23 years ago, 29-Mar-01, to lugnet.off-topic.fun)
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| | | | | Re: 20 Years of TLC's Frustration with "LEGOS" —Frank Filz
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| | | | (...) Of course my point was that the music that the masses listens to WILL be free. The only question then is how the artists feed themselves. Some will do so by having another job. Others will be supported by rich patrons. I also feel that there (...) (23 years ago, 26-Mar-01, to lugnet.off-topic.fun)
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| | | | | | Re: 20 Years of TLC's Frustration with "LEGOS" —Dave Schuler
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| | | | (...) 8^) There are some who would argue that music for the masses is already free in the form of radio and Napster, but of course the unlicensed redistribution of such music is an breach of copyright. Your supposition of patrons is interesting and (...) (23 years ago, 26-Mar-01, to lugnet.off-topic.fun)
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