 | | Re: Dark... —Shiri Dori
| | | | (...) Ahem. I lied. It's far from perfect, but here's a pic anyway. (URL) mike removal worked much better on my first face, the one I use for Cleo (1), but I ain't gonna sacrifice that head for a paint job 'til I can get another head(s) to (...) (24 years ago, 4-Jun-00, to lugnet.build.minifigs)
| | | | | | | | | | Re: Dark... —Nathan McDowell
| | | | | | (...) ~Nathan =) (24 years ago, 4-Jun-00, to lugnet.build.minifigs)
| | | | | | | | | | | | Re: Dark... —Mark Sandlin
| | | | | I've found that a bit o' Brasso on a Q-Tip works better than an X-Acto knife for removing microphones... not as much scarring. It does get tricky in small spaces, so if you trim down the fuzz on the Q-Tip first, it can help. I used this method on a (...) (24 years ago, 5-Jun-00, to lugnet.build.minifigs)
| | | | | | | | | | | | Re: Dark... —Jeff Johnston
| | | | | (...) I've found that "scarring" is generally attributable to one of two things: an insufficiently delicate hand, or an insufficiently sharp blade. When you're removing paint with a blade, use *very* gentle pressure - you'd be surprised at how (...) (24 years ago, 5-Jun-00, to lugnet.build.minifigs)
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