 | | | | | |
For what it’s worth, I think Brian Cooper’s Bandolero was my favourite right
from the start. The story was lost a little on me since I don’t hardly speak a
word of Spanish. I am grateful for the recently posted unedited shots of the
finished mech. That thing is amazing! It seems to mee that every single stud
and plate is placed deliberately and with a purpose.
Bring on the next competition! (I’ll be sure to name mine next time, it might
gain me a couple of points.)
Nathan
p.s. Now I would really like to see what Mark Neumann’s interpretation of the
inspiration art would be. Come on Mark, it’s your turn.
| | | | | | | | | | | | | | |
In lugnet.build.mecha, Nathan Proudlove wrote:
| |
For what it’s worth, I think Brian Cooper’s Bandolero was my favourite right
from the start. The story was lost a little on me since I don’t hardly speak
a word of Spanish. I am grateful for the recently posted unedited shots of
the finished mech. That thing is amazing! It seems to mee that every single
stud and plate is placed deliberately and with a purpose.
|
Thanks. I had some requests to see the unaltered pics of the Vore Del Mecha,
though that’s sort of like seeing a picture of a guy in an Alien suit sipping
coffee before the camera rolls. ;-) It’s just not scary without the flashing
strobes and smoke that obscure the Alien as the Nostromo computer counts down to
self destruction.
Maybe I should have done a mockumentary, “The Making of Bandolero!”, without
making the actual horror movie... the model would be revealed to be a facade
containing puppeteers/animatronics operators. :-)
K
| | | | | | |
